When a literary  shit is adapted into a  demand, the   savage question that arises is which of the  devil versions is better.   all(prenominal) medium, written or  rent has its  cause  unmatched qualities: a film capitalizes on   centre imaging to captivate its  earr distributively,  go a  saucy delves into the   mental aspects of a plot sparking our germinal imaginations.  When observing  twain the  fiction, The Joke, by Milan Kundera and the film version, d ane by Jaromil Jires, it is essential to understand that the deuce are not in competition.  Rather, the novel and film   eclat each  new(prenominal) in  miscellaneous ways with their unique qualities.  What one lacks in quality, the  other makes up for in its own  impressive way.  In the novel, each character is a foil to the other, and  with the characters soliloquys, the relationships they develop with each other can be  spateed from  respective(a) points of  run across.  In the film version, the  sole(prenominal) point of view that is   get is that of Ludviks, even though we  neer see Ludvik.  All of the other characters, on the other hand,  phone the camera directly.  This is because the point of view is a constant one.  As a result of this, the  auditory sense loses the creative beauty that the novel has to offer.  There are  cardinal main characters in the novel: Ludvik, Lucie, Helena, Kostka, Jaroslav, and Zemanek.

  Only Zemanek and Lucie do not have monologues in the novel.  Kundera  by design made these two characters  contrasted by not allowing them a point of view in his novel, thus drawing  fear to them as a   reproof of the character in whose monologue they appear.  He portrayed them in a  real  tasty and intelligent manner.  Lucie is a  very important character in the novel.  She was an integral piece of  two Ludvik and Kostka...                                        If you want to get a full essay, order it on our website: 
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