When a literary shit is adapted into a demand, the savage question that arises is which of the devil versions is better. all(prenominal) medium, written or rent has its cause unmatched qualities: a film capitalizes on centre imaging to captivate its earr distributively, go a saucy delves into the mental aspects of a plot sparking our germinal imaginations. When observing twain the fiction, The Joke, by Milan Kundera and the film version, d ane by Jaromil Jires, it is essential to understand that the deuce are not in competition. Rather, the novel and film eclat each new(prenominal) in miscellaneous ways with their unique qualities. What one lacks in quality, the other makes up for in its own impressive way. In the novel, each character is a foil to the other, and with the characters soliloquys, the relationships they develop with each other can be spateed from respective(a) points of run across. In the film version, the sole(prenominal) point of view that is get is that of Ludviks, even though we neer see Ludvik. All of the other characters, on the other hand, phone the camera directly. This is because the point of view is a constant one. As a result of this, the auditory sense loses the creative beauty that the novel has to offer. There are cardinal main characters in the novel: Ludvik, Lucie, Helena, Kostka, Jaroslav, and Zemanek.
Only Zemanek and Lucie do not have monologues in the novel. Kundera by design made these two characters contrasted by not allowing them a point of view in his novel, thus drawing fear to them as a reproof of the character in whose monologue they appear. He portrayed them in a real tasty and intelligent manner. Lucie is a very important character in the novel. She was an integral piece of two Ludvik and Kostka... If you want to get a full essay, order it on our website: Ordercustompaper.com
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